The Basic Principles Of metafora
The Basic Principles Of metafora
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In historical onomasiology or in historical linguistics, a metaphor is defined as a semantic alter depending on a similarity in kind or purpose involving the initial strategy as well as concentrate on concept named by a word.[57]
The phrase metaphor itself is really a metaphor, coming from the Greek phrase indicating 'transference (of possession)'. The user of the metaphor alters the reference on the term, "carrying" it from just one semantic "realm" to another.
Also, experimental proof displays that "priming" individuals with materials from 1 region can influence how they carry out jobs and interpret language inside of a metaphorically relevant area.[Observe 1]
Las satisfiedáforas son palabras cuya asociación es sugerida o convocada en un texto. Esta asociación produce relaciones que redimensionan el significado literal de las palabras.
It is said that a metaphor is 'a condensed analogy' or 'analogical fusion' or that they 'operate in a similar manner' or are 'according to exactly the same mental procedure' or but that 'The fundamental processes of analogy are at perform in metaphor'.
Прехвърляне на човешки черти върху животни или природни явления; свойства на един предмет да се приписват на друг въз основа на подобие или сходство между тях:
Una achievedáfora negativa es un tipo de achievedáfora en la que el término true o el imaginario aparecen con una negación. Por ejemplo:
There exists, he indicates, some thing divine in metaphor: the world by itself is God's poem[59] and metaphor is not simply a literary or rhetorical figure but an analytic Instrument which can penetrate the mysteries of God and His development.[60]
A metaphor is really an implied comparison, as in "the silk with the singer's voice." This is in contrast towards the express comparison in the simile, which uses like
Cada par de elementos comparten una semejanza que permite la idealización de la belleza de Dulcinea: ojos con soles, mejillas con rosas, labios con el colour del coral, perlas con dientes, y la blancura de la piel se expresa mediante elementos como el mármol y la nieve.
Cognitive linguists emphasize that metaphors serve to aid the understanding of just one conceptual domain—generally an abstraction such as "everyday living", "theories" or "Concepts"—through expressions that relate to another, extra familiar conceptual area—typically a lot more concrete, such as "journey", "structures" or "food stuff".
se expresa una forma matemática para sustituirlos; mostrando que el resultado es una satisfiedáfora, un resultado con un nuevo significado estético o bello. «Aristóteles define a la achievedáfora como un doble mecanismo metonímico de cuatro términos, el segundo mantiene la misma relación que el cuarto con el tercero: B es a A, lo que D es a C; la vejez es a la vida lo que el atardecer es al día.
Several other philosophers have embraced the perspective that metaphors may additionally be described as samples of a linguistic "class oversight" which have the potential of primary unsuspecting consumers into substantial obfuscation of thought in the realm of epistemology. Integrated among them could be the Australian philosopher Colin Murray Turbayne.[40] In his reserve The Myth of Metaphor, Turbayne argues that the usage of metaphor is an essential part within the context of any language process which claims to embody richness and depth of knowledge.[41] Moreover, he clarifies the limitations linked to a literal interpretation of the mechanistic Cartesian and Newtonian depictions on the universe as small in excess of a "machine" – an idea which proceeds to underlie A lot of your scientific materialism which prevails in the modern Western earth.
En este libro introduce el concepto de metáfora viva. El valor primordial de la metáfora no reside en ser ornamental, sino que ofrece nuevos niveles de información, por medio de una metáfora planteada en un texto, más allá de los significados que puede tener en un primer nivel, corresponde en paralelo a acciones humanas. Ante este punto de vista, los mundos expresados en la literatura no difieren del mundo humano y la satisfiedáfora juega el papel de «activar» ese recuerdo por medio de instantes reflejados en semas que reconstruyen percepciones y conceptos, que se encadenan en la construcción de un mensaje más amplio.
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